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Perfecting Sound Forever: An Aural History of Recorded Music Greg Milner
Publisher: Faber and Faber

Nancy, Jean-Luc, and Charlotte Mandell. It runs from the wax cylinder through MP3's. Technology has always shaped the way music is made — the spinet and harpsichord gave way to the piano, the Gibson to the Fender. There is a really great book called Perfecting Sound Forever: An Aural History of Recorded Music. Perfecting Sound Forever: An Aural History of Recorded Music looks like an interesting book, and there's a good review by Brian Hayes to be found here. Greg Milner, Perfecting Sound Forever: An Aural History of Recorded Music (Faber). Scott Rosenberg has posted a review of Greg Milner's Perfecting Sound Forever: an Aural History of Recorded Music: “Milner's tale starts with Edison's famous “sound tests” (where they'd pit live vs. New York: Faber and Faber, 2009. Alan Lomax: The Man Who Recorded The World (2010) by John Szwed. The Life & Legend of Lead Belly (1992) by Charles Wolfe & Kip Lornell. Also, this contribution will raise some questions about artistic realism when Milner, Greg, Perfecting Sound Forever, An Aural History of Recorded Music. It's called Perfecting Sound Forever: An Aural History of Recorded Music. Perfecting Sound Forever: An Aural History of Recorded Music. So when I discovered, belatedly, that Greg Milner has written an entire book about the birth, history and present plight of recording, I grabbed it. I will attempt to show that the contribution of the mixing engineer shapes the spatial and temporal content of the record's sound, and also how this fact challenges O'Callaghan's notion that recorded sounds entail an impoverished listening experience.